1. BASIC PRINCIPLES (PART I)
2. BASIC PRINCIPLES (PART II)
3. THE SOUND (PART I)
4. THE SOUND (PART II)
5. COMPOSING OUT (PART I)
6. COMPOSING OUT (PART II)
7. HARMONIC DIRECTION (PART I)
8. HARMONIC DIRECTION (PART II)
9. HARMONIC DIRECTION (PART III)
10. HARMONIC DIRECTION (PART IV)
11. HARMONIC WEIGHT (PART I)
12. HARMONIC WEIGHT (PART II)
13. HARMONIC WEIGHT (PART III)
14. HARMONIC WEIGHT (PART IV)
15. OTHER DIATONIC TRIADS (PART I)
16. OTHER DIATONIC TRIADS (PART II)
17. OTHER DIATONIC TRIADS (PART III)
18. PUNCTUATION (PART I)
19. PUNCTUATION (PART II)
20. EMBELLISHING TONES (PART I)
21. EMBELLISHING TONES (PART II)
22. SEVENTH CHORDS (PART I)
23. SEVENTH CHORDS (PART II)
24. SEVENTH CHORDS (PART III)
25. DIATONIC SEQUENCE (PART I)
26. DIATONIC SEQUENCE (PART II)
27. SECONDARY DOMINANTS (PART I)
28. SECONDARY DOMINANTS (PART II)
29. MODAL MIXTURE (PART I)
30. DIATONIC MODULATION (PART I)
31. DIATONIC MODULATION (PART II)
32. DIATONIC MODULATION (PART III)
33. DIATONIC MODULATION (PART IV)
34. DIATONIC MODULATION (PART V)
35. NEAPOLITAN (PART I)
36. NEAPOLITAN (PART II)
37. AUGMENTED SIXTHS
38. CHROMATIC MODULATION PART I)
39. CHROMATIC MODULATION PART II)
40. CHROMATIC MODULATION PART III)
41. LINEAR CHROMATIC CHORDS (PART I)
42. LINEAR CHROMATIC CHORDS (PART II)
© 2022 | Alan Belkin and Andrew Schartmann